Comet Brooches: A Legacy of the 19th Century’s Sidereal Wanderers

“This great comet has fled from the gaze of man, and thirty generations of astronomers will pass away before it will submit itself to human scrutiny.” —H.A. Howe

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Halley’s Comet brooch, 1835. Ann Longmore-Etheridge Collection.

This piece from my collection is an antique English, 9-carat gold comet mourning pin. It is beautifully made, with a hand-chased stylized tail, black enamel embellishment, and a glittering foiled paste stone in silver settings, clearly displaying a black spot to simulate the open culet of a diamond.

The unusual shape of the brooch commemorates the return of Halley’s Comet in 1835. Although this piece neither contains a loved one’s hair nor bears an inscription, the use of black enamel almost certainly associates it with loss during the comet pass year.

Halley’s Comet is named after English astronomer Edmond Halley, who studied previous sightings and correctly predicted its 1758 apparition. The comet returns every 75 years, with its last apparition in 1986 and its next to come in 2061. I will be 98, if I live to see it.

The first report of the comet is from its pass above China in 467 B.C. (Centuries later, during another apparition, the Chinese would call it by the beautifully evocative name, “Broom Star.”) The British Museum, London, holds other documentation in the form of cuneiform tablets describing the comet’s appearance over Babylonia in late September, 164 B.C.

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“At that time, throughout all England, a portent such as men had never seen before was seen in the heavens. Some declared that the star was a comet, which some call ‘the long-haired star’: it first appeared on the eve of the festival of Letania Maior, that is on 24 April, and shone every night for a week.”—The Anglo Saxon Chronicle, 1066. In this section of the Bayeux Tapestry, Halley’s Comet serves as an omen of Duke William’s victory over King Harold at the Battle of Hastings. Above a group that points at the strange sight are the words “ISTI MIRANT STELLA”—”These men wonder at the star.”

Throughout history, the comet’s apparitions brought fear and awe to earthbound viewers, who saw comets as a predictors of great and potentially horrific events. In 218, for example, Roman historian Dio Cassius termed it “a very fearful star,” and of the 1456 comet pass, Bartolomeo Platina named it “a hairy and fiery star” that he heard would bring “grievous pestilence, dearth, and some great calamity.” Its 1066 apparition is commemorated by the Bayeux Tapestry—the great embroidered epic of the Norman Conquest—as a portent that Duke William of Normandy’s ascension to the throne of England was literally writ in the stars.

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Drawings of Comet Halley, 1836, by John Herschel. Gouache on black fabric mounted on paper. Harry Ransom Center, University of Texas at Austin.

The 1835 comet apparition predated photography by nearly a decade, but astronomical drawings were made by Sir John Frederick William Herschel from a position in South Africa. In the lead up to Halley’s Comet’s arrival, and during the months it graced the night sky, Georgians indulged their love of symbolism and used the shape of the comet, with its long tail, as the basis for generally singular, and relatively expensive, gold jewelry—although pinchbeck and gilt 1835 brooches can be found. These pieces commemorated the comet apparition in conjunction with the human events that transpired during its nightly reign, such as births, betrothals, marriages, and deaths.

My brooch fits the latter of these, but there are many stunning examples that evoke the joy and wonder felt by those with comet fever. For example, the lovely duo below, sold by Rowan & Rowan, are gold with a foiled citrine and garnets.

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Gold, citrine, and garnet 1835 Halley’s Comet brooches.
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This lovely gold 1835 comet brooch, which sold on eBay in 2016, features a saphiret glass stone that prong-set and cushion-cut.
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A gold, diamond, and pearl 1835 comet brooch.
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An English, 9-carat gold, chrysolite, and ruby 1835 comet brooch. Courtesy CJ Antiques.

Halley’s was not the only comet visible to those living in the 19th Century. Stuart L. Schneider, the author of Halley’s Comet: Memories of 1910, noted, “Most people who saw Halley’s comet in 1986 were disappointed with the comet’s showing. We were not as fortunate as the folks living in the 1800s…. In 1811 there was a beautiful comet with a tail 100,000,000 miles long. It was called the Great Comet of 1811 and was visible for 17 months. In 1843, a comet appeared … with a tail twice as long as that of the Great Comet of 1811. Abraham Lincoln commented on Donati’s Comet of 1858. It appeared during the Lincoln-Douglas debates. Civil War soldiers saw the Comet of 1861, which had six or more tails. In 1874, Coggin’s Comet appeared in the skies, and in 1882 a comet appeared that was visible for 4 months.”

I own another comet brooch that may commemorate one or both of the century’s unexpected celestial visitors, Comet Tebbutt C/1881 K1, or the Great Comet of 1881, and the Great Comet of September 1882, C/1882 R1, which Schneider alluded to above.

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The September 1882 Comet photographed by Sir David Gill from the South African Astronomical Observatory.

Comet Tebbutt was visible during the summer and Autumn of 1881, finally becoming lost to observers in early 1882. It was followed later that year by another comet of such luminosity that, at its perihelion, it was visible next to the sun in the daytime sky.

After it was gone—“buried in the darkness of space”—Professor H. A. Howe of Denver University wrote in The Sidereal Messenger’s May 1884 issue, “This great comet has fled from the gaze of man, and thirty generations of astronomers will pass away before it will submit itself to human scrutiny. Then, perchance, it will again burst unexpectedly into view, to be firmly bound by the chains of mathematical analysis, which, more tenuous than gossamer, are stronger than steel.”

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Although this “French Jet” (black glass) comet brooch was likely produced in multiples, the design may have appealed to women who lost loved ones during the 1881-1882 comet apparitions. Ann Longmore-Etheridge Collection.

When Halley’s Comet returned in 1910, it brought age-old fears with it, as well as a new wave of comet jewelry. Author Christopher S. Cevasco, wrote that the 1910 apparition “came with its own doomsday predictions. One of the gases discovered in the tail through spectroscopic analysis was the toxic gas cyanogen, leading French astronomer Nicolas Camille Flammarion to predict that when the earth passed through the comet’s tail, the gas ‘would impregnate the atmosphere and possibly snuff out all life on the planet.’ Perhaps unsurprisingly, Monsieur Flammarion was not only an astronomer but an author of science fiction novels, and fortunately here it seems he let his imagination run away with him. Notwithstanding many panicked Earthlings running out to buy gas masks, anti-comet pills, and apparently even anti-comet umbrellas, the planet suffered no harm given how diffuse the gas was.”

Samuel Clemens (Mark Twain) also believed in the portents of comets. In 1909, he said, “I came in with Halley’s Comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don’t go out with Halley’s Comet. The Almighty has said, no doubt: ‘Now here are these two unaccountable freaks; they came in together, they must go out together.’” Clemens died 21 April, 1910, just after the comet reached its brightest. Ω

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A brooch made for the 1910 Halley’s Comet apparition.
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A black opal comet brooch from 1910.
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A 1910 comet brooch of gold and pastes.

Author: Ann Longmore-Etheridge

Writer, journalist, editor, historian.

7 thoughts on “Comet Brooches: A Legacy of the 19th Century’s Sidereal Wanderers”

  1. Thanks for this – I learned two new things: culet and black opals (wish I could afford a nice one of those). One thing though: the Bayeaux tapestry isn’t actually a woven tapestry, it’s an embroidered cloth.

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  2. Would you happen to of the detailed provenance of any 1835 brooch, e.g. ownership, who may have commissioned it etc.I wish to know as I am working on an historical novel – it’s a long story, so to speak. Thank you

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