Funeral Fragments

“When old Francis died in 1913, Dad sent him off in a hearse pulled by four black horses followed by mutes carrying ostrich feather wands and a procession of friends and family in the deepest mourning possible.”—Barbara Nadel

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An invitation to the funeral of Ruth Evelyn Cooper, who died of pneumonia in the aftermath of influenza. She was one of upwards of 50 million people whose deaths were associated with the 1918 influenza pandemic. Ruth was born 21 June, 1898; she was the daughter of mail carrier George F. and Clara Good Cooper of Murrell, Ephrata Township, Lancaster County, Pennsylvania.
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This glass slide captures one moment in the lengthy funeral proceedings of Queen Victoria, as her coffin wended its way through London, 2 February, 1901. The slide is unmarked save for the handwritten inscription, “The Queen’s Coffin.” It does not appear to be part of a commercial set and may be a personal remembrance of the day taken by someone in the crowd. (Note the two boys looking down on the passing procession from the high wall on the right.)
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This photo shows ephemera from the funeral of Arthur Wellesley, 1st Duke of Wellington (1 May 1769–14 Sept., 1852). It resides in the museum of Carisbrooke Castle, Isle of Wight, England. The duke was beloved for leading the defeat of Napoleon’s forces at Waterloo, 18 June, 1818. He went on to become a prime minister and is still considered to be one of Great Britain’s chiefest politicians. The handwritten note reads: “Relics of the Funeral of the late Duke of Wellington. No.1 Silver lace from the car. 2. Cloth from the Hall. 3. Silver Tissue from the Canopy. 4. Tape from the Canopy, Chelsea Hospital. 5. Autograph of the late Duke, Nov. 1852.”

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This circa-1905 albumen print captures a wintertime military funeral procession in Newport News, Virginia. It’s possible that it was headed to Hampton National Cemetery for a veteran’s burial. Behind the hearse bearing an American flag-draped casket are mourners on foot, as well as a long procession of carriages and early automobiles.
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On 11 October, 1918, a public funeral was held in Belfast, Ireland, for twelve American soldiers, victims of the Otranto disaster, and men who died from pneumonia after being landed in Ireland from a troop ship. During the march through the city from the Victoria Barracks to the City Cemetery, the coffins rode on open hearses, with a guard of honor composed of British soldiers. Glass plate image courtesy Library of Congress.
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This is one-half of a stereoview card labeled, “The cortage leaving the White House, President McKinley’s funeral, Sept. 17, 1901, Washington, DC. Underwood & Underwood, Publisher, New York, London, Toronto, Canada, Ottawa, Kansas.” William McKinley was the 25th president of the United States, serving from 4 March, 1897, until his assassination on 14 September, 1901, six months into his second term.
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Even when I was a child in the 1960s, it was still considered important to photograph the funeral floral arrangements sent by loved ones. In this albumen cabinet card, circa 1885, we see flowers and a sheaf of wheat in tribute to “Our Friend” Celia. The sheaf indicates that Celia died in old age.
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My father, James Arthur Longmore, took this black-and-white photograph at Arlington National Cemetery in the aftermath of the funeral of John F. Kennedy, 25 November, 1963. My parents were among the thousands who lined the procession’s route. I was with them in my pram, aged five months. My father held me up as the caisson carrying the president’s coffin passed so that I “could see history occurring,” he said. This picture is from later in day, after the grave had been covered and the site was open to grieving citizens.
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The bill for the 1949 funeral and burial of Mrs. Roush. The total fee was $234.75, including $150 for embalming, $12.95 for a burial dress, and $12 for an ambulance that presumably transported the body from the family home to the embalmer.
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In the wake of the funeral, this memorial shadow box may have been filled with cloth flowers to symbolize the floral tributes at this unknown decedent’s grave, as well as the hope of her eternal youth in Heaven. Courtesy Jack and Beverly Wilgus Collection.

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Unless otherwise noted, all images from the Ann Longmore-Etheridge Collection.

Author: Ann Longmore-Etheridge

Writer, journalist, editor, historian.

5 thoughts on “Funeral Fragments”

  1. Forgot to ask this: “followed by mutes carrying ostrich feather wands” – do you suppose that should actually be mules rather than mutes? It just seems odd. Mules I could understand but four mutes in a town seems to be pushing it.

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