On 26 March, 1900, the Alfred Sun of Allegheny County, New York, included this obituary: “Abial Thomas, son of Rowland and Prudence Thomas, was born Sept. 22, 1825, and died Mar. 2, 1900, aged 74 years, 5 months, and 10 days. He was married Sept. 25, 1845, to Mary Crandall, being one of three brothers who married three sisters. In 1848, his wife and infant child died. Mr. Thomas was married again Dec. 1, 1840, to [Ascenath] Jane Stillman. Seven children resulted from this union. Prudence, now Mrs. McHenry, who resides at Alfred Station; Rowland of Hornellsville; Mary, Mrs. Congdon of Hornellsville; Nancy, deceased; Frank of Hornellsville; Lucy, deceased; and Charlotte, Mrs. Melville Green of Hornellsville. Two brothers and one sister also survive, viz., Rowland Thomas of Alfred; Silas Thomas of Milton, Wis.; and Mrs. Alma Green of Silver Lake. Mr. Thomas was taken a little over a week before his death with acute pneumonia, and little hope of his recovery was entertained from the first. The funeral services were held at the 2nd Alfred Church, conducted by the pastor. Text, Acts 26:8. The funeral was well attended, a good many old neighbors and relatives of the deceased being present.”
Abial Thomas was a lifetime native of Alfred—an unusual locality in that there is a Village of Alfred within the borders of the eponymous town that is the site of Alfred State College, Alfred University, and the New York State College of Ceramics. Abial spent his days as a farmer and later a carpenter, never appearing in the newspapers and leaving few records; he registered for the Civil War draft, for example, but already in his late 30s, Abial did not serve.
The above detail of the cabinet card allows us to see Abial as he was late in life, as well as his coffin plaque. According to Ancestors at Rest, “In North America…the popularity of the practice of removing the plates from the coffin before burial increased. Often the coffin plates were never attached to the coffin but displayed on a stand or table next to it…. This practice started in the early 1840s and was particularly popular in the North Eastern United States, Maine, Massachusetts, Vermont, New Hampshire, New York, Connecticut, and Rhode Island…. This practice peaked in the late 19th century (1880-1899) and by the 1920s this practice had all but stopped.”
After the funeral, the coffin plaques might become parts of hanging wall shrines to the deceased, which were often replete with wax-dipped linen flowers, skeletonized leaves, dyed and shaped feathers, shells, locks of hair, photographs, and other sentimental items.
The wheat sheaf amongst Abial’s funeral flowers is also worthy of note. Unseen at modern funerals, during the 19th Century the wheat sheaf was a recognized symbol of the biblical verse Job 5:26: “You shall come to your grave in ripe old age, like a sheaf gathered up in its season.” This is beautifully illustrated in the cabinet card above, which includes both elements of the verse from Job. The wheat sheaf was regularly given in tribute to the elderly.
“Her life was marked for honesty of dealings and purity of character.”
The Sabbath Recorder of 17 April, 1890, provides us a concise biography of Abial’s second wife, Ascenath Jane, who had died a decade before him. She was “born in Newport, Herkimer Co., N.Y., Oct. 10, 1818, and died at her home in Alfred, after an illness of about five weeks of heart disease, March 29, 1890, in the 72nd year of her age. Mrs. Thomas was a daughter of Ezra Stillman, long known and well remembered. Four sons and one daughter only are now left of his family. Under the ministry of Elder John Green she was baptized and united with the Seventh-Day Baptist Church of Newport, of which she remained a member until it disbanded, and she never removed her membership. Her life was marked for honesty of dealings and purity of character. In 1849, she was married to Abial Thomas, by whom she had seven children. She was held in honorable esteem by all who knew her, and casting all her cares on Jesus, she died, as she had lived, a Christian.”
2 thoughts on “Flowers for Our Father”
Lovely symbolism behind the tradition of the wheat sheaf in particular! It is wonderful that Abial’s cabinet card was included with the photo of his funereal display too! I love the fact that you are able to teach us not just about early mourning photography and jewelry in these posts, but about the symbols and why they were important. It really enriches the experience of looking at these photos.
LikeLiked by 1 person
As you know we also collect mourning photographs. We have made a rule (sometimes broken) that they should include a photograph of the deceased.
LikeLiked by 1 person