“Young Hickory of the Granite Hills”

Ann Longmore-Etheridge Collection

I own a stereoview card, one half which is seen above, that may portray mourners of President Franklin Pierce. To accompany this image, I am reblogging an excellent look at Pierce’s life and burial place by Gravely Speaking, an historian after my own heart.

Gravely Speaking

A sign outside the gates of the Old North Cemetery announces the burial of the most New Hampshire native son within its fencing.  The sign outlines the major accomplishments of Franklin Pierce:


1804 – 1869

Fourteenth President of the United States

(1853 -1857)

Lies buried in nearby Minot enclosure.

Native son of New Hampshire,

Graduate of Bowdoin College,

Lawyer, effective political leader,

Congressman and U.S. Senator,

Mexican War veteran, courageous

Advocate of States’ rights,

He was popularly known as

“Young Hickory of the Granite Hills.”

While the sign outlines Pierce’s political accomplishments, there is nothing about his personal life.  Franklin Pierce was born in Hillsborough, New Hampshire.  He married Jane Appleton, the daughter of a Congregational minister.  Jane and Franklin were nearly polar opposites.  Franklin was outgoing and gregarious.  Jane was shy and suffered from depression.  Jane was pro-temperance and devoutly religious.  Jane was from a family that…

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Harriet, Jeff, Aunty, and Anna

“I was not surprised when we received the notice of Aunty’s death. From what you had written to me I was expecting it.”

A mourning stationery envelope addressed to Anna M. Ramsey. Ann Longmore-Etheridge Collection.

To: Miss Anna M. Ramsey
Richborough P.D.
Bucks County
C/O Mr. Ed Ramsey
Please forward

High Point
April 27th ‘84

Dear Cousin Anna,

Yours of April 4 received. Was so glad to hear from you. I had looked for a letter for some time from Aunty. But have treasured up my last one from her. Anna, I sympathize deeply with your in your affliction. Your loss is her gain. But it is so hard to part with those we love so dearly but Aunty has only passed from this wicked world to a brighter and better one beyond. But oh the loneliness and sadness in the home without a mother or father. My heart aches for you, well I do remember the bitter pangs of suffering I passed through when I had to give up my dear mother. It seemed as though all the sunshine had gone out of the world. To this day I grieve for her. But time changes all things and we must be reconciled.

Page one of the black-edged letter written on mourning stationery to Anna Ramsey.

I was not surprised when we received the notice of Aunty’s death. From what you had written to me I was expecting it. But felt very sad indeed. I wanted to come east last fall to see you all once more but Jeff was sick so long and so bad that we could not leave him. I think from what you tell me about Aunty she must have been (in her sickness) very much like cos Kate Hume (McNair). She did not suffer pain but had that distress feeling and sick at her stomach. She had a cancerous tumor.

Dear Anna, we are so lonely. We miss Jeff so much. He was so good and kind to all. I had often read of happy deaths but never witnessed such a one in my life. He was sick only five days. In the afternoon of the day he died, Rosie was sitting on his bed crying. He said to her “I would so much rather you would go to the piano and play and sing for me ‘Nearer my God to Thee’ then to sit here and cry.” She went to the piano and played and tried to sing with the help of some friends. Poor child. It seemed as if it would kill her almost.

Letter to Anna Ramsey, pages 2 and 3.

He bid all goodbye and talked to each one separately and was perfectly willing to go. Said he did not dread death and was ready to die, only his worldly affairs were not just as he would have them. He thought he lingered longer toward the last then he ought to, so asked a friend to read and sing with the friends that time might pass faster. There was about 50 persons in to bid him farewell. He shook hands and had some good word for all. It hurt him very much to talk but when he found he could not live he talked the most of the time until about half an hour before his death.

He had a great many friends. There was between 1,000 and 1,500 persons at his funeral. He requested to have one of our old preachers to preach at his funeral. The sermon was very good. He was buried with Masonic honors. We sent a notice to Aunty. Did you get it? Anna, I would like you to write to me soon and tell me about Aunty’s death. All join one with much love to all friends. Accept a very large share for yourself.

From your cousin,

Harriet S. Hart

Letter to Anna Ramsey, page 4.

The poignant letter above was written by Harriet Shepard Vanartsdalen Hart (22 February, 1830, Philadelphia, PA–11 December, 1900, High Point, MO), wife of Thomas Jefferson Hart (9 February, 1826, Bucks Co., PA–29 February, 1884, High Point, MO). According to his obituary, Hart struggled for years with “an enfeebling lung disease,” his “exhausted nature at last yielded to an attack of acute pneumonia after five days’ illness,” leaving a Harriet a widow with eight surviving children of the 16 she had born.

Jeff and Harriet’s son Louis Folwell Hart (4 Jan., 1862-4 Dec., 1929). He is buried in Tacoma, Pierce County, Washington. Hart served as governor of that state from 13 February, 1919, to 12 January, 1925. Neither of his parents lived to see his election.

Many years later, Jeff Hart’s then-middle-aged son Louis, a lawyer and later governor of the State of Washington, filed an application to join the Sons of the American Revolution (SAR). The document contains substantial genealogical evidence about the Hart family, naming Jeff Hart’s father as Lewis Folwell Hart (17 March, 1792, Bucks County, PA–1841, Belleview, Illinois). Jeff’s mother was Sidney Gill (1796–1854). He was the grandson of Joseph Folwell Hart (b. 7 December, 1758) and Ann Folwell (1758, Warminster, PA–11 March, 1843, Southampton, PA), who was the daughter of Colonel William Thomas Folwell (1737 – 1813). That Joseph was the son of Warminster, Pennsylvania, native Joseph Hart (1 September, 1715–25 February 1788) and his wife Elizabeth Collet (14 May, 1744, Philadelphia, PA-19 February, 1788, Warminster, PA).

Joseph, Sr., took part in the American Revolution as a “colonel, Second Battalion,” the SAR application notes. He commanded a regiment of Bucks County militia, serving in Amboy, New Jersey, during the latter part of the summer of 1776. Joseph, Sr., was a great-grandson of Christopher and Mary Hart of Oxfordshire, England, who came to America with William Penn and settled in Warminster Township, Bucks County, where the family lived until 1855, when Jeff Hart moved his branch of the family to Missouri.

Harriet was the daughter of John Vanartsdalen (b. abt. 1800–aft. 1870) and his wife Maria S. Davis (1807, PA–7 November, 1854, Philadelphia, PA). Harriet’s family was descended from early Dutch settlers Simon Jansz Van Arsdalen and his wife Jannetje Romeyn.

The grave of Harriet Vanartsdalen Hart in High Point Cemetery, High Point, Missouri.

Jeff Hart married Harriet Vanartsdalen on 16 March, 1848. On the 1850 Census of Philadelphia, the young couple and their second-born son John Byron (b. 1849, PA–1886) (the first, also named John Byron, died either at birth or in early infancy), were living with—or possibly visiting—Harriet’s mother Maria, the woman of whom her daughter would later write, “Well I do remember the pangs of suffering I passed through when I had to give up my own dear mother. It seemed as though all the sunshine had gone out of the world.” Also in the household was Harriet’s younger brother, John (b. 1835). Jeff Hart’s occupation at that time was carpenter.

Harriet lost her beloved mother in November 1854. Maria was laid to rest in Philadelphia’s Odd Fellows Burial Ground, an historic cemetery at 24th and Diamond Streets established in 1849. The cemetery property was acquired by the Philadelphia Housing Authority in 1950 for construction of a housing project. The bodies that had been interred there, including Maria’s, were relocated to Philadelphia’s Mount Peace Cemetery and Lawnview Memorial Park in Rockledge, Pennsylvania.


When the U.S. Civil War erupted, the Jeff Hart family had been in Missouri for about six years. They dwelt in “Township 43, Range 15” of Moniteau County. Today, that place is called High Point. It is less a town than a crossroads placed amidst a deeply agrarian landscape. At High Point, the 1860 Census reveals Jeff Hart had made a leap from carpenter to merchant, and Harriet managed four children who ranged in age from 11 to six months: Byron; Frank H. (1858 – 1905), Laura Louisa (b. 1859); and Lillie Josephine (1856 – 1863).

Confederate General Sterling Price. Courtesy National Portrait Gallery, Smithsonian Institution.

Jeff Hart served in the U.S. Civil War in Company B of the 48th Missouri Infantry as a captain. His registration record of the summer of 1863 enumerates him as a 37-year-old merchant with three months of previous experience serving in a militia. According to its regimental history, his unit saw service at Rolla, Missouri, “until December 9, 1864. Defense of Rolla against Price.” This is likely the only military action that Hart participated in.

“In 1864, the Missouri legislature was gearing up for a new election. Confederate leaders believed that if they could take the capital, Jefferson City, return the exiled Confederate politicians there, and hold elections, that the state would elect a Southerner, putting the state legally in the hands of the South for the next four years. General Sterling Price was chosen to lead this raid because of his popularity in the state,” explains The Civil War in Missouri.

After this, Hart moved with the unit to Nashville, Tennessee, from December 9 to 19. Then, his unit was “assigned to post duty at Columbia, Tenn., and garrison blockhouses on Tennessee & Alabama Railroad from Franklin to Talioka until February, 1865. Moved to Chicago, Ill., February 18-22. Guard duty at Camp Douglas and escort Confederate prisoners to City Point, Va., for exchange until June 16. Ordered to Benton Barracks, Mo., June 16. Mustered out June 22, 1865. Regiment lost during service by disease 120.”

victorian+ornaments+image+graphicsfairy2After the war, on 29 March, 1867, Jeff Hart was appointed postmaster for High Point—it was a position that made practical sense, as he operated out of an adjoining storefront. Hart held the government-paid postmaster position until his death. The 1871 Register of Officers and Agents, Civil, Military, and Naval in the Service of the United States states that his pay that year was $110, but in 1873, it had fallen to $81. A slight lessening likely did not discomfit the family. In 1881, the Osage Valley Banner reported in its social column that Hart, who was “largely engaged in [railroad] tie contracts and general merchadise,” had been in town—the paper naming him “the Rothchild [sic] of High Point.”

The 1870 Census of Moniteau County lists the couple’s children living at home as Byron;  Frank; Laura; Louis; Emma Rosealie (b. 1866)—the “Rosie” mentioned in the letter weeping for her dying father; and Alberta S. (b. 1869). All the children, with the exception of the first, were born in Missouri. Also living with the family was a nonrelated servant, dry goods clerk, and laborer, as well as a man, aged 70, who is simply called “Van Archdalen,”—a farmer born in Pennsylvania. This was almost certainly Harriet’s father, John. (Other Hart children who died young were the first John Byron (1849-1849); Annie Louisa (1850-1852); two babies named Howell Dorman—the first lived from 1852 to 1853, the second from 1853-1854; Maria Louisa (1854–1854); U. S. Grant (1863–1864); and Lillie Bell (1865-1865.)

High Point Post Office with Jeff Hart’s mercantile establishment beside it and the Odd Fellows Hall above. Photo by courthouselover.

A short memoir by a family member gives us a more personal glimpse into the Hart family at that time. “[Jeff] was for a number of years a prominent merchant…. His area of trade extended south to near the Osage River…. To this union was born 16 children. [Harriet] did not nurse them, so all were cared for by ‘hired girls.’ [Eight] of these children died in infancy and 8 lived (5 boys and 3 girls). She did almost all of the buying for the store in St. Louis, Mo., sometimes leaving her babies when they were less than 2 weeks old. In that way, she was a great help to her husband as he was badly needed to stay and take care of the business at their store. Their eldest son was named Byron. He married their hired girl….” (She was Mary Elizabeth Foraker, born in 1848. The couple had three children before her early death in 1885. The following year, on 12 May, 1886, Byron Hart was killed by a train in Arthur, Missouri.)

Jeff’s son Louis would become a lawyer, and there is some evidence that Jeff himself also practiced law. He was described by the Jefferson City State Journal on 17 September, 1875, as “T. J. Hart, Esq.” in an article about his pursuit, with the local sheriff, of a Hart employee, Charles Thomas, who had stolen $165. The pair traced the employee “across the country and river to Columbia, where they found he had 40 minutes before left for Centralia. The sheriff…telegraphed the description of Thomas to his deputy, and the latter arrested Thomas as he was purchasing a ticket to St. Louis. He had purchased two sets of clothes, a revolver, &c., and had left $58. The pursuers arrived in a hack, and Sheriff Yarnell and Hart returning with their prisoner, he was indicted by a special grand jury, tried, convicted, and sentenced…ten days from the time of commission of the crime.”

Just a few months later, on 26 November, the same newspaper reported: “T. J. Hart’s store came very near to being destroyed by fire on Friday last night. The Odd Fellows Hall is situated over the store. It is supposed that when they retired, some of the party lit their pipes and probably threw a match into the spittoon. When Mr. Hart’s son went to the store and discovered fire on the show case, he lost no time in getting in the hall, which was almost suffocating him with smoke. The wooden spittoon was nearly consumed, a stand was minus one leg, and a hole in the floor nearly two feet square and a 2 x 8 joist nearly burned off. [There was a ] burning hole in the ceiling of the store, ready to warm things in general.”

An obituary of Thomas Hart, included with the letter, that supplies many of the details of his life, character, and religion.

The 1880 Census of High Point shows Jeff Hart then had no occupation, as he was presumably struggling with his chronic lung disease, which could have been Tuberculosis, lung cancer, severe asthma, or any number of other issues affecting the airways that could lead to fatal pneumonia. The children living at home at that time were Laura; Louis; Rosie; Alberta; Elmer E. (1870 – 1930); and Carlos Brumhawk (b. 1875). The eldest son, Louis, was the only member of the family with work—he was listed a clerk in a store, almost assuredly his father’s.

In mid-November of that year, there was yet another brush with fire. The Hart’s uninsured farm at High Point burned to the ground. According to the Kirkville Weekly Graphic of 27 November, “Thirty-eight hogs, two calves, two buggies and one carriage, besides a great deal of provender, were consumed.” But the tragedy could have been much worse. “Mrs. Hart, [Jeff’s daughter-in-law], led one mule and two horses from the burning building, and was in the act of rescuing a calf when her clothing caught fire. With a presence of mind remarkable under the circumstances, she tore her clothing off thereby preventing what would have been a frightful death.”

On 13 March, 1884, within a fortnight of her husband’s death and about five weeks before writing her letter to Anna Ramsey, Harriet became the post mistress for High Point and appears to have retained the role until October 1891, when a replacement was named. That man, Robert Reynolds, may have taken over the Harts’ mercantile business at the same time.

Sedalia Democrat, 23 December, 1900.

At some point after selling off the store, Harriet went to live in the home of her daughter Laura, who married Simon Patrick Cronin of California, Missouri. Harriet did not die until 11 December, 1900, and ought to appear for a final time on the census of that year, but I cannot find her. She was buried in High Point, presumably beside Jeff, whose grave appears to be unmarked.


The recipient of the letter Harriet wrote in April 1884 was Anna Mary Ramsey (b. 21 October, 1847, Richboro, Bucks Co., PA), the daughter of farmer Robert Ramsey (b. 1814, PA) and his wife Elizabeth Vanartsdalen (b. 1817, PA)—the “Aunty” of whom this letter speaks. Elizabeth was, it appears, the great-aunt of Harriet Vanartsdalen Hart—her paternal grandfather’s sister.

The Ramsey family was large, with eight children who all reached adulthood. The 1850 Census saw the family living in Northampton, Bucks County, where Robert Ramsey was a farmer. The children listed on the 1850 census were Jeanette V. (b. 1842); Amelia G. (b. 1844); Henry K. (1845-1910); Anna; and John V. (12 January, 1850–5 May, 1890). The 1860 census includes all of these children, as well as William Augustus (b. 1852) and Edward (b. 1855), the latter of whom this letter was sent in the care of.

Anna’s brother Henry may have fought during the final year of the Civil War. A Henry Ramsey enlisted as private on 17 February, 1865, in Company I, 61st Pennsylvania Infantry and was mustered out on 28 June, 1865, in Washington, D.C. However, there are multiple Pennsylvania Henry Ramseys who enlisted during the war. Some can be ruled out as Anna’s brother, but none who remain supply the recorded evidence to make certain identification.

An old farm in Bucks County, Pennsylvania, somewhere near where the Ramsey’s lived.

Ten years later, in 1870, Robert and Elizabeth appear alone on the 1870 census of Northampton—all of their offspring had flown. Sons Henry and Edward were enumerated in Abingdon, Montgomery County, Pennsylvania, working as laborers on the farm of maternal kin Amos and Lottie Vanartsdalen. The rest of the children were nearby, still in Northampton. Son John worked as a laborer on the farm of Jesse and Hannah Twining. Eldest daughter Jeanette lived with another Vanartsdalen relation, 64-year-old Jane. Jeanette may have been with Jane Vanartsdalen as early as May 1864, when both their names were entered as members of the Dutch Reformed Church of North and Southampton.

Amelia lived on the farm of Marshall and Sarah Cummings, working as a seamstress. Anna was with farmer Charles Torbert and his 21-year-old daughter Emma, keeping house.

The Old Dutch Reformed Church, Bucks County, Pennsylvania, where William Ramsey married in 1882.

Anna’s father, Robert, died 5 May, 1878, and was buried in Union Cemetery, Richboro, Bucks County, “aged 64 years, 6 months, and 8 days,” according to his tombstone. Anna and William then returned to live with 62-year-old widow Elizabeth and were thusly enumerated on the 1880 Census. Anna’s brother John was nearby, enumerated in the 1880 Census as a laborer. He had married a woman named Emma and had two children: Mary (b. 1875) and Robert (b. 1877).

On 18 January, 1882, at the Dutch Reformed Church, William Ramsey married Adelaide B. Addis (1859–1896) and became the father of Anna Maud (1886–1906), Harry A. (1887–1954), and Charles H. (1888–1964.) Anna Ramsey never married, and died in Morristown, Pennsylvania, 7 December, 1933, aged 86, of chronic valvular heart disease and bronchial pneumonia. She was buried on 12 December in Union Cemetery between her mother, “Aunty” Elizabeth and her bachelor brother Henry, 50 years after receiving the grief-stricken missive I now own. Ω

The graves of the Ramsey family, Union Cemetery, Bucks County, Pennsylvania.

Beautiful, Bountiful Buttons

Gentle Readers, your Humble Proprietress is recovering from surgery and so shall share photographic images of antique and vintage buttons in lieu of a lengthy article.

Metal and glass buttons from the Victorian and Edwardian eras.

Of buttons, Collector’s Weekly writes, “As long as human beings have needed to keep their clothing fastened, buttons have been there to do the work.” Buttons may be utilitarian, however, even well into the era of mass production, they were made to be reused on the garments of succeeding generations, resulting in little works of art that please collectors’s eyes today.

A small Victorian carved Mother of Pearl button featuring a steel-cut lizard, probably dating to the mid-1800s.

Many still recall our grandmothers’ button jars or boxes filled with delightful miniature wonders of carved shell, shiny metal augmented with brilliant cut-steel embellishments, luminous glass, light and fancifully shaped celluloid, and bakelite of eye-watering colors. I was born in 1963, my father in 1928, and my father’s mother in 1891. Some of my earliest memories are of Nanny, as I called her, sewing on a black Singer treadle machine richly decorated with Victorian gothic revival red and gold designs. As Nanny pumped the ornate foot panel in a soothing rhythm, I played in a pool of buttons scooped from the sewing machine’s cabinet drawers. I remember, especially, bakelite raspberries, as tart red as the real fruits, and a large navy blue button shaped like a bundle of roses. I have recently obtained a white version, seen below.

An unusual celluloid button, probably from the mid-1930s.

I’m especially fond of celluloid, a composition plastic made of cellulose dinitrate blended with pigments, fillers, camphor, and alcohol, that was invented in the mid-1800s and meant to mimic ivory. In some colors, it produces a soft, comforting glow when illuminated, rather like a glass of apple juice or beer.

These luminous celluloid buttons tentatively date to the 1910s.
Celluloid wafer buttons with complex Art Deco designs, circa late 1920s.
Air-puffed and other celluloid buttons from the 1920s and 1930s.

And then there are the metal picture buttons. Oh my.

A tiny steam train passes under a castle-bearing bridge. Tinned brass, mid-1800s.
A trippy owl in a starry sky. Tinned brass and with cut-steel embellishments, late 1800s.
An Italian villa, probably mid-1800s.

I’ll close with a few more interesting examples.

A domed brass chatelaine button, 1890s.
Carved shell and Mother of Pearl buttons, all 19th century.
A Victorian perfume button. Ladies applied their favorite scents to these cloth-backed buttons, rather than chance marring their clothing with perfume stains.


All buttons from my modest collection.

Murder in Miniature

A visit to the Renwick Gallery of the Smithsonian American Art Museum, Washington, D.C., to view the fiendishly intriguing Nutshell Studies of Unexplained Death.

‘The Barn,” or “The Hanging Farmer,”  a Nutshell Study created in about 1946.

Frances Glessner Lee (1878–1962), regarded as the “mother” of forensic science, was also the first female U.S. police captain, although the title was honorary. In 1936, Glessner Lee came by a sizable inheritance—her father was cofounder of the International Harvester Company—and she used it to help build a Department of Legal Medicine at Harvard Medical School. It was during the decade afterward that Glessner Lee crafted many of the 20 known Nutshell murder dioramas.

Corine May Botz wrote in The Nutshell Murders of Unexplained Deaths that “[Lee] took a special interest in training police officers because, as the first to arrive on the scene of a crime, they had to recognize and preserve evidence critical to solving the case. At the time, most police officers inadvertently botched cases by touching, moving, or failing to identify evidence. Lee was also extremely interested in better integrating the work of, and communication among medical experts, police officers, forensic investigators and prosecutors.”

In the Nutshell Study above, farmer Eben Wallace was found hanged in his barn. His wife told police, “When things did not suit Eben he would go out into the barn, stand on a bucket, put a noose around his neck, and threaten suicide. I always talked him out of it. On this afternoon, he made the usual threats, but this time I did not follow him to the barn right away. When I did, I found him hanging there with his feet through a wooden crate.”

From this information, as well as studying the death scene, students could deduce that the bucket Eben usually stood on during his suicide attempts had been taken from the barn for other purposes, and drag marks indicated he’d replaced it with a flimsy wooden crate. A logical conclusion would be that the farmer fell through the crate and accidentally made good on his long-stated suicide threats. But did he? Perhaps one of the reasons we remain fascinated with the Nutshell Studies is because the mysteries do not have answers. They were meticulously crafted to tease the minds of investigators.

“Every element of the dioramas—from the angle of miniscule bullet holes, the placement of latches on widows, the patterns of blood splatters, and the discoloration of painstakingly painted miniature corpses—challenges trainees’ powers of observation and deduction. The Nutshells are so effective that they are still used in training seminars today at the Office of the Chief Medical Examiner in Baltimore,” noted the Renwick Gallery’s Curator Nora Atkinson.


In the Nutshell study “The Dark Bathroom,” which Gleesner Lee created circa 1944, Maggie Wilson, an epileptic, was discovered dead in her tub. When police arrived they found the scene above: water pours from the faucet over Maggie’s face—although the tub stopper is not in place, which casts doubt on whether Maggie was drawing a bath at the time of her death. Her legs are stiffened by rigor mortis, indicating she may have died earlier than witness accounts suggest. A bottle and empty glass are knocked over on the bathroom rug—perhaps an indication that Maggie was “self-medicating” and slipped on her bath rug, fell backwards, and drowned under the running water?

Robin Barnes has been discovered lying dead on the floor next to the refrigerator in the Nutshell Study, “Kitchen.” The door is open and the ice cube tray is on the floor next to her. A pie sits on the stove, all the gas jets are on, and Mrs. Barnes shows the tell-tale reddish coloration of death by asphyxiation. The doors to the room are locked and have newspaper stuffed around their edges. But was her death a suicide, an accident, or a staged homicide?


In the “Red Bedroom” Nutshell Study, Marie Jones, a prostitute, was discovered dead by her landlady, Mrs. Shirley Flanagan, who gave the following statement: “On the morning of Thursday, June 29, 1944, she passed the open door of Marie’s room and called out ‘hello.’ When she did not receive a response, she looked in and found [Marie stabbed in the bedroom closet]. Jim Green, a boyfriend and client of Marie’s, had come in with Marie the afternoon before. Mrs. Flanagan didn’t know when he had left. As soon as she found Marie’s body she telephoned the police who later found Mr. Green and brought him in for questioning.”


Mr. Green, when questioned, said, “He met Marie on the sidewalk the afternoon of June 28, and walked with her to a nearby package store where he bought two bottles of whiskey. They then went to her room where they sat smoking and drinking for some time. Marie, sitting in the big chair, got very drunk. Suddenly, without any warning, she grabbed his open jackknife which he had used to cut the string around the package containing the bottles. She ran into the closet and shut the door. When he opened the door he found her lying as represented by the model. He left the house immediately after that.”

By studying the crime scene above, trainees might agree that the booze bottles indicate hard drinking, but why is there blood on the wooden floor and the rug, if Maggie stabbed herself in the closet?

In “Saloon and Jail,” created in about 1945, Frank Harris, a dock laborer, is discovered dead in a jail cell on the morning after a police officer found him unconscious on the pavement outside a public house.


The deceased, Ruby Davis, is just visible, lying facedown at the foot of the stairs in this Nutshell Study, “Living Room.” According to her husband, Reginald, the couple “spent the previous evening, Thursday, May 21, quietly at home. His wife had gone upstairs to bed shortly before he had. This morning he awoke a little before 5:00 a.m. to find that his wife was not beside him in bed. After waiting a while, he got up to see where she was and found her dead body on the stairs. He at once called the family physician who, upon arrival, immediately notified the police.”

The Nutshell Study “Sitting Room and Woodshed” was thought lost until its 2003 rediscovery in the attic of Glessner Lee’s former family estate.


Richard Harvey, foreman in an ice-cream factory, was found dead by his mother in the “Striped Bedroom.” Mrs. Harvey gave the following statement: “On Saturday night, April 27, Richard came home for supper as usual and after supper went back to work. He always worked late Saturday nights to get ready for the Sunday trade. She didn’t know when he came in as she went to bed early.

“Sunday morning she let him sleep while she went to church and then, as usual, proceeded to her sister’s for the day. When she returned home Sunday evening, Richard wasn’t around so she opened his door and found the premises as represented by the model. Richard was married about a year ago and brought his wife home to live. She was a nice girl and they were very happy. His wife was away now visiting her parents for a few days in another state. Richard was a good boy but sometimes he had a little too much to drink, especially on Saturday nights. The dishpan belonged in the kitchen. She didn’t know how it came to be in Richard’s bedroom.”

Here, Dorothy Dennison, who was missing, has been discovered dead on the floor of the “Parsonage Parlor.” There is a knife in her abdomen, her legs are slightly spread, and her dress is pulled up. A hammer rests not far from her head. Blood has saturated the floor. But why is the furniture covered and uncollected mail by the door? Where is the rector? And who left bite marks on Dorothy’s exposed chest?

39360613921_f5317ace4b_zThe body of Arthur Roberts, a local insurance salesman, was found by police who responded to a call from a friend of the victim, Mrs. Marian Chase. His body rests just inside the open door of the Nutshell Study “Log Cabin.”

Mrs. Chase was questioned and said, “She had met Arthur Roberts at the log cabin on Wednesday, October 21, 1942, at 5:15 p.m. They were in the habit of meeting there. Roberts was married and was living with his wife. Mrs. Chase was also married but was not living with her husband. Roberts had told her at this meeting that the affair between them was ended. There was no quarrel. Mrs. Chase and Mr. Roberts were standing at the foot of the bunk. He turned toward the door, took a package of cigarettes from his outside pocket, selected a cigarette, but dropped it. As he stooped over to pick it up—a shot was heard—he fell flat—a gun dropped beside him. Mrs. Chase said she picked up the gun but then replaced it. It did not belong to her. She then ran out of the door, jumped into her car and drove to summon the police.

“The gun was identified as belonging to Arthur Roberts. Mrs. Chase identified the handbag on the bunk as hers. A single bullet had passed entirely through Mr. Roberts’ chest from front to back and the powder around the entrance hole indicated that it had been fired at fairly close range.”

Glessner Lee works on a Nutshell Study in the mid-1940s.

“Although the past century in forensic science had yielded many innovations, few women have been credited with advancing the field. A notable exception is Frances Glessner Lee,” wrote Katherine Ramsland, professor of forensic psychology and prolific author.

“In written instructions, Lee urged those who were preparing to observe a scene to imagine themselves as less than half a foot tall. They must look at the entire scene, searching for clues that might not be obvious, such as a bullet caught in a ceiling, a weapon in an odd position, or evidence of behaviors that deflected a determination of suicide. They were urged to think carefully before they developed a theory.”

Those lucky enough to view the Nutshell Studies at the Renwick three-quarters of a century later were identically urged. Among the cheek-to-jowl crowd assembled on that frigid winter day were scores of young people, their parents in tow, enthusiastically searching for the clues in each diorama. Among these will be at least a few of criminal investigators and forensic scientists of the 21st Century. Frances Glessner Lee still teases minds today. By that, I think she would be well pleased. Ω

In the Nutshell Study titled “Unpapered Bedroom,” an unknown woman has been discovered dead in a rooming house. The landlady said she and a man registered together as Mr. and Mrs. John Smith. “He paid for the room up to six o’clock that evening and said not to disturb his wife, as she wanted to sleep late,” she told police. Under the pillow beside her is a large amount of blood.

Band on the Run

Callithumpian band? Wholesale arrests? Mayor Ephraim Smyser Hugentugler? Enjoy this retelling of a shambolic day in York, Pennsylvania, by historian James Rada, Jr.

Time Will Tell

Continental Square.jpg Continental Square in York, Pa. Courtesy of the York History Center.

The metallic reverberating sound of gongs repeatedly sounded throughout downtown York, Pa., in August of 1925. It was a sound people recognized as the alert on a fire truck. Somewhere in York, a fire was burning.

“During the disturbance patrons of theaters, hurriedly snatched their wraps and fled from the amusement places to ‘go to the fire.’ Others telephoned or went to their homes,” The York Dispatch reported.

People attending a municipal band concert at Farquhar Park heard the gongs over the music and streamed out of the park, seeking the fire or their homes to make sure that it wasn’t burning.

The problem was that there was no fire. “A callithumpian band mounted on a truck which also carried, despite their objections the bride and bridegroom, coursed about downtown streets for about an hour last evening,” The York…

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Funeral Fragments

“When old Francis died in 1913, Dad sent him off in a hearse pulled by four black horses followed by mutes carrying ostrich feather wands and a procession of friends and family in the deepest mourning possible.”—Barbara Nadel

An invitation to the funeral of Ruth Evelyn Cooper, who died of pneumonia in the aftermath of influenza. She was one of upwards of 50 million people whose deaths were associated with the 1918 influenza pandemic. Ruth was born 21 June, 1898; she was the daughter of mail carrier George F. and Clara Good Cooper of Murrell, Ephrata Township, Lancaster County, Pennsylvania.
This glass slide captures one moment in the lengthy funeral proceedings of Queen Victoria, as her coffin wended its way through London, 2 February, 1901. The slide is unmarked save for the handwritten inscription, “The Queen’s Coffin.” It does not appear to be part of a commercial set and may be a personal remembrance of the day taken by someone in the crowd. (Note the two boys looking down on the passing procession from the high wall on the right.)
This photo shows ephemera from the funeral of Arthur Wellesley, 1st Duke of Wellington (1 May 1769–14 Sept., 1852). It resides in the museum of Carisbrooke Castle, Isle of Wight, England. The duke was beloved for leading the defeat of Napoleon’s forces at Waterloo, 18 June, 1818. He went on to become a prime minister and is still considered to be one of Great Britain’s chiefest politicians. The handwritten note reads: “Relics of the Funeral of the late Duke of Wellington. No.1 Silver lace from the car. 2. Cloth from the Hall. 3. Silver Tissue from the Canopy. 4. Tape from the Canopy, Chelsea Hospital. 5. Autograph of the late Duke, Nov. 1852.”
This circa-1905 albumen print captures a wintertime military funeral procession in Newport News, Virginia. It’s possible that it was headed to Hampton National Cemetery for a veteran’s burial. Behind the hearse bearing an American flag-draped casket are mourners on foot, as well as a long procession of carriages and early automobiles.
On 11 October, 1918, a public funeral was held in Belfast, Ireland, for twelve American soldiers, victims of the Otranto disaster, and men who died from pneumonia after being landed in Ireland from a troop ship. During the march through the city from the Victoria Barracks to the City Cemetery, the coffins rode on open hearses, with a guard of honor composed of British soldiers. Glass plate image courtesy Library of Congress.
This is one-half of a stereoview card labeled, “The cortage leaving the White House, President McKinley’s funeral, Sept. 17, 1901, Washington, DC. Underwood & Underwood, Publisher, New York, London, Toronto, Canada, Ottawa, Kansas.” William McKinley was the 25th president of the United States, serving from 4 March, 1897, until his assassination on 14 September, 1901, six months into his second term.
Even when I was a child in the 1960s, it was still considered important to photograph the funeral floral arrangements sent by loved ones. In this albumen cabinet card, circa 1885, we see flowers and a sheaf of wheat in tribute to “Our Friend” Celia. The sheaf indicates that Celia died in old age.
My father, James Arthur Longmore, took this black-and-white photograph at Arlington National Cemetery in the aftermath of the funeral of John F. Kennedy, 25 November, 1963. My parents were among the thousands who lined the procession’s route. I was with them in my pram, aged five months. My father held me up as the caisson carrying the president’s coffin passed so that I “could see history occurring,” he said. This picture is from later in day, after the grave had been covered and the site was open to grieving citizens.
The bill for the 1949 funeral and burial of Mrs. Roush. The total fee was $234.75, including $150 for embalming, $12.95 for a burial dress, and $12 for an ambulance that presumably transported the body from the family home to the embalmer.
In the wake of the funeral, this memorial shadow box may have been filled with cloth flowers to symbolize the floral tributes at this unknown decedent’s grave, as well as the hope of her eternal youth in Heaven. Courtesy Jack and Beverly Wilgus Collection.


Unless otherwise noted, all images from the Ann Longmore-Etheridge Collection.

Comet Brooches: A Legacy of the 19th Century’s Sidereal Wanderers

“This great comet has fled from the gaze of man, and thirty generations of astronomers will pass away before it will submit itself to human scrutiny.” —H.A. Howe

Halley’s Comet brooch, 1835. Ann Longmore-Etheridge Collection.

This piece from my collection is an antique English, 9-carat gold comet mourning pin. It is beautifully made, with a hand-chased stylized tail, black enamel embellishment, and a glittering foiled paste stone in silver settings, clearly displaying a black spot to simulate the open culet of a diamond.

The unusual shape of the brooch commemorates the return of Halley’s Comet in 1835. Although this piece neither contains a loved one’s hair nor bears an inscription, the use of black enamel almost certainly associates it with loss during the comet pass year.

Halley’s Comet is named after English astronomer Edmond Halley, who studied previous sightings and correctly predicted its 1758 apparition. The comet returns every 75 years, with its last apparition in 1986 and its next to come in 2061. I will be 98, if I live to see it.

The first report of the comet is from its pass above China in 467 B.C. (Centuries later, during another apparition, the Chinese would call it by the beautifully evocative name, “Broom Star.”) The British Museum, London, holds other documentation in the form of cuneiform tablets describing the comet’s appearance over Babylonia in late September, 164 B.C.

“At that time, throughout all England, a portent such as men had never seen before was seen in the heavens. Some declared that the star was a comet, which some call ‘the long-haired star’: it first appeared on the eve of the festival of Letania Maior, that is on 24 April, and shone every night for a week.”—The Anglo Saxon Chronicle, 1066. In this section of the Bayeux Tapestry, Halley’s Comet serves as an omen of Duke William’s victory over King Harold at the Battle of Hastings. Above a group that points at the strange sight are the words “ISTI MIRANT STELLA”—”These men wonder at the star.”

Throughout history, the comet’s apparitions brought fear and awe to earthbound viewers, who saw comets as a predictors of great and potentially horrific events. In 218, for example, Roman historian Dio Cassius termed it “a very fearful star,” and of the 1456 comet pass, Bartolomeo Platina named it “a hairy and fiery star” that he heard would bring “grievous pestilence, dearth, and some great calamity.” Its 1066 apparition is commemorated by the Bayeux Tapestry—the great embroidered epic of the Norman Conquest—as a portent that Duke William of Normandy’s ascension to the throne of England was literally writ in the stars.

Drawings of Comet Halley, 1836, by John Herschel. Gouache on black fabric mounted on paper. Harry Ransom Center, University of Texas at Austin.

The 1835 comet apparition predated photography by nearly a decade, but astronomical drawings were made by Sir John Frederick William Herschel from a position in South Africa. In the lead up to Halley’s Comet’s arrival, and during the months it graced the night sky, Georgians indulged their love of symbolism and used the shape of the comet, with its long tail, as the basis for generally singular, and relatively expensive, gold jewelry—although pinchbeck and gilt 1835 brooches can be found. These pieces commemorated the comet apparition in conjunction with the human events that transpired during its nightly reign, such as births, betrothals, marriages, and deaths.

My brooch fits the latter of these, but there are many stunning examples that evoke the joy and wonder felt by those with comet fever. For example, the lovely duo below, sold by Rowan & Rowan, are gold with a foiled citrine and garnets.

Gold, citrine, and garnet 1835 Halley’s Comet brooches.
This lovely gold 1835 comet brooch, which sold on eBay in 2016, features a saphiret glass stone that prong-set and cushion-cut.
A gold, diamond, and pearl 1835 comet brooch.
An English, 9-carat gold, chrysolite, and ruby 1835 comet brooch. Courtesy CJ Antiques.

Halley’s was not the only comet visible to those living in the 19th Century. Stuart L. Schneider, the author of Halley’s Comet: Memories of 1910, noted, “Most people who saw Halley’s comet in 1986 were disappointed with the comet’s showing. We were not as fortunate as the folks living in the 1800s…. In 1811 there was a beautiful comet with a tail 100,000,000 miles long. It was called the Great Comet of 1811 and was visible for 17 months. In 1843, a comet appeared … with a tail twice as long as that of the Great Comet of 1811. Abraham Lincoln commented on Donati’s Comet of 1858. It appeared during the Lincoln-Douglas debates. Civil War soldiers saw the Comet of 1861, which had six or more tails. In 1874, Coggin’s Comet appeared in the skies, and in 1882 a comet appeared that was visible for 4 months.”

I own another comet brooch that may commemorate one or both of the century’s unexpected celestial visitors, Comet Tebbutt C/1881 K1, or the Great Comet of 1881, and the Great Comet of September 1882, C/1882 R1, which Schneider alluded to above.

The September 1882 Comet photographed by Sir David Gill from the South African Astronomical Observatory.

Comet Tebbutt was visible during the summer and Autumn of 1881, finally becoming lost to observers in early 1882. It was followed later that year by another comet of such luminosity that, at its perihelion, it was visible next to the sun in the daytime sky.

After it was gone—“buried in the darkness of space”—Professor H. A. Howe of Denver University wrote in The Sidereal Messenger’s May 1884 issue, “This great comet has fled from the gaze of man, and thirty generations of astronomers will pass away before it will submit itself to human scrutiny. Then, perchance, it will again burst unexpectedly into view, to be firmly bound by the chains of mathematical analysis, which, more tenuous than gossamer, are stronger than steel.”

Although this “French Jet” (black glass) comet brooch was likely produced in multiples, the design may have appealed to women who lost loved ones during the 1881-1882 comet apparitions. Ann Longmore-Etheridge Collection.

When Halley’s Comet returned in 1910, it brought age-old fears with it, as well as a new wave of comet jewelry. Author Christopher S. Cevasco, wrote that the 1910 apparition “came with its own doomsday predictions. One of the gases discovered in the tail through spectroscopic analysis was the toxic gas cyanogen, leading French astronomer Nicolas Camille Flammarion to predict that when the earth passed through the comet’s tail, the gas ‘would impregnate the atmosphere and possibly snuff out all life on the planet.’ Perhaps unsurprisingly, Monsieur Flammarion was not only an astronomer but an author of science fiction novels, and fortunately here it seems he let his imagination run away with him. Notwithstanding many panicked Earthlings running out to buy gas masks, anti-comet pills, and apparently even anti-comet umbrellas, the planet suffered no harm given how diffuse the gas was.”

Samuel Clemens (Mark Twain) also believed in the portents of comets. In 1909, he said, “I came in with Halley’s Comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don’t go out with Halley’s Comet. The Almighty has said, no doubt: ‘Now here are these two unaccountable freaks; they came in together, they must go out together.’” Clemens died 21 April, 1910, just after the comet reached its brightest. Ω

A brooch made for the 1910 Halley’s Comet apparition.
A black opal comet brooch from 1910.
A 1910 comet brooch of gold and pastes.