I wish all mothers a happy day of love and peace. For all you have done and will do, you are saluted.
“Mothers, I believe, intoxicate us. We idolize them and take them for granted. We hate them and blame them and exalt them more thoroughly than anyone else in our lives. We sift through the evidence of their love, reassure ourselves of their affection and its biological genesis. We can steal and lie and leave and they will love us.”—Megan Mayhew Bergman
I wish all mothers a happy day of love and peace. For all you have done and will do, you are saluted.
The eerie and eclectic photography of Caroline Leech
Carolyn, an English woman who lives in Spain, writes of herself: “I am an obsessive Victorian and lover of all things Gothic. As a child I would often rather spend my pocket money in the local antique shop on postcards, photos, stamps or coins than in the toyshop. History just always fascinated me.”
“I then developed an interest in spirits and faeries and fell in love with writers such as my beloved Charles Dickens, Sheridan LeFanu, Emily Dickinson and with the whole world of Victorian spiritualism, mourning, the faery painters of the time and also the darker aspects of Victorian society.”
“I live in a watermill in the middle of a forest, which is always an inspiration to me. I feel I am surrounded by all sorts of spirits.”
“I have been an antique dealer and visionary artist for years and am also a keen amateur photographer of anything mysterious. My greatest love is of course Victorian photography, these amazing ghosts which pleasantly haunt the pages of my book and the drawers and cabinets of my bedroom.”
“Because I feel that in the heavens above
The angels, whispering one to another,
Can find among their burning tears of love,
None so devotional as that of ‘Mother,’
Therefore, by that dear name I have long called you,
You who are more than mother unto me.” — Edgar Allan Poe
A quick note: I will be having surgery on Tuesday, 4 April, and will be taking at least a four- or five-day hiatus to recover. I will return as soon as possible. Promise.
The wedding of Tom Thumb and Lavinia Warren was so popular that children in wedding attire began to reenact the marriage ceremony.
By Beverly Wilgus
The highlight of the 1863 New York City social season was the February 10 “Fairy Wedding” at Grace Episcopal Church of two of P. T. Barnum’s “little people,” Charles Sherwood Stratton and Mercy Lavinia Warren Bump. In the theatrical world, they were known as General Tom Thumb and Lavinia Warren—he stood 2’10”; she, 2’6″. There were 2,000 invited guests and Barnum also sold tickets to the reception after the wedding for $75 each. Although 15,000 ticket requests came in, only 5,000 were available. One newspaper, the Cleveland Daily Leader, noted that after the particulars were announced by Barnum, “then followed such a universal toadyism…all for the sake of begging, buying, or stealing invitations to the wedding.”
In spite of the event’s commercial nature, Tom and Lavinia’s marriage was a true love match. (Barnum, however, thought Lavinia was too tall for Tom and that her smaller sister Minnie would have been a better choice of a bride.) Lavinia had also been romantically pursued by Thumb’s rival performer, George Washington Morrison Nutt, whose stage name was Commodore Nutt, but Lavinia’s heart belonged to the Little General from the start. After their marriage, the couple lived in domestic harmony for twenty years until Tom’s death on July 15, 1883.
The Leader, which was only one of scores of newspapers around the world that covered Tom and Lavinia’s nuptials, explained to its readers, “Tom Thumb was born in Bridgeport, Connecticut, in 1838. He weighed nine pounds and a-half when born, but stopped growing at eighteen months old. Barnum took him in at ten years old and he has been a public character ever since. Miss Lavinia Bump was born in Middleboro, Mass., in 1842. She grew until one year old and then stopped… She and the General met a few months ago at Boston and a ‘mutual understanding’ developed.”
On the day of the wedding, the bride wore “plain white satin, the skirt en traine, being decorated with a flounce of costly point lace, headed by tulle puffings; the berthe to match. Her…hair, slightly waved, was rolled a la Eugenie…. Natural orange blossoms breathed their perfume above her brow and mingled their fragrance with soft sighs of her gentle bosom,” all-but moaned the Leader. Thumb was resplendent in a black dress coat and a vest of white silk, “his appearance that of a little old man in whom the juices of life were yet rich and whose jolly days were not done.”
After the wedding, the couple greeted reception guests from atop a piano amidst a mountain of gifts. At the end of the evening, Thumb ardently and grandiloquently thanked their guests and he and his wife withdrew, shortly thereafter to begin a European honeymoon. From start to finish, stated the Irish Meath People and Cavan and Westmeath Chronicle, Barnum had arranged the Fairy Wedding “with a true eye to business.”
Following the wild popularity of the wedding, a rather strange practice developed and has continued until today. Plays based on the event became popular, with children in wedding attire reenacting the marriage ceremony. My husband and I collect photographs of the original couple but also have a collection of photographs of children engaged in this activity from the 19th Century through 1950. The weddings were indeed so popular during the century after the actual event that there were professional Fairy Wedding planners who advised on the faux nuptials and rented out costumes.
Many Fairy Weddings were staged as fundraisers by churches and schools. For example, Pennsylvania’s Harrisburg Telegraph of November 30, 1888, noted that a Tom Thumb Wedding was held on Thanksgiving evening at Wesley Union Church. It included the mock bride and groom, maids of honor and groomsmen, and the bride and groom’s family. “The couples were appropriately and beautifully attired and of such costly material, fitting splendidly the little bodies and producing much excitement even among the men and women,” the newspaper stated. The children performed with “great propriety and dignity, and won high praise.”
In 1893, the Mount Carmel, Pennsylvania, Daily News, reported a Tom Thumb Wedding held at the G. A. R. Opera House on May 12. “The youthful participants enacted their parts well and the quaint costumes created no end of amusement for the audience.” And the North Carolina Wilmington Messenger of February 28, 1894, published that “all the little boys and girls who took part in the ‘Tom Thumb Wedding’ at the Grace Church entertainment last night are requested to meet at city hall this afternoon [in their costumes] to be photographed.”
We possess a clipping from 1950 of my husband, Jack, acting as best man in a Tom Thumb Wedding at his family’s church. And if the term “Tom Thumb Wedding” is entered into Google, one will find many posts about churches, schools, and private birthday parties performing these weddings as late as just a few years ago. Ω
All images courtesy of the Jack and Beverly Wilgus Collection.
The second of an occasional series.
“Oh! I do like to be beside the seaside! I do like to be beside the sea! I do like to stroll along the Prom, Prom, Prom! Where the brass bands plays tiddely-pom-pom-pom! So just let me be beside the seaside! I’ll be beside myself with glee and there’s lots of girls beside, I should like to be beside, beside the seaside, beside the sea!”
This British ambrotype shows either a mother (right) with three daughters, or four sisters of disparate ages, posed on the exposed ground of a tidal estuary or river. Their fashions date to about 1870. The littlest girl is either carrying her bonnet or a bucket. Ann Longmore-Etheridge Collection.
Capocci & Sons, ice cream vendor, on the beach during a sunny, happy day at Bournemouth, Dorset, in the 1890s. The 1891 census enumerated Celestine Capocci, a 51-year-old ice cream maker born in Italy, and her large family living at 5 St. Michael’s Cottages, Holdenhurst, Bournemouth. Glass-plate negative courtesy James Morley (@photosofthepast).
[Correction: has been called to my attention that the identification of the ice cream vendor was made by EastMarple1, who is a collector and historian at Flickr. I regret not including this fact in the original article. It was not an intentional denial of her research efforts.]
Three elegant young adults on the deck of a ship or a seaside pier, circa 1900. Glass-Plate negative from the collection of James Morley.
On the beach at Trouville, Normandy, France, in September 1926. Paper print from the collection of James Morley.
Although posed in front of a backdrop, this girl was genuinely at the seaside, as Littlehampton, West Sussex, remains a vibrant holiday community to this day. Whilst photographers roamed the beach at Littlehampton and other resort towns, photography studios with their painted seaside scenes provided a second souvenir option. This Carte de Visite, taken circa 1900, is courtesy Caroline Leech.
“The most easily identified and most commonly found British tintype are the seaside portraits where families pose with buckets and spades in the sand or lounge in deck chairs on pebbled beaches with wrought iron piers in the background,” writes the administrator of the site British Tintypes. “The seaside might also be the one place where middle class people could safely and easily have a tintype made—as a fun, spur-of-the-moment amusement in keeping with other beach entertainment.” Tintype, mid-1890s, Ann Longmore-Etheridge Collection.
Lyrics to “I Do Like to Be Beside the Seaside,” written in 1907 by John A. Glover-Kind.
Here are some visual distractions until the next article is completed.
John Wesley Murphy scolds his fierce teddy. A cabinet card taken by the Kern Brothers, 34 2nd Street, New York City, circa 1890.
An ambrotype of grandmother and child with hand-tinted cheeks, circa 1857. They seem suspended in Time’s Rainbow. Or perhaps time’s lava lamp.
A daguerreotype of a wistful mother and son, circa 1850.
An unmarked carte de visite of a beautiful mother and daughters, circa 1869.
Images: Ann Longmore-Etheridge Collection.