When the Bow Breaks

“She sleeps in peace, dear sister sleeps—
Art thou forever gone?
No, we will see thee soon again,
Where parting is unknown”— In Memory of Mary Frey by Her Sister CMB

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Edyth Miriam Embery, gelatin silver bromide print, 1909 or 1910. Ann Longmore-Etheridge Collection.

This angelic child, pictured at the start of what should have been a long life, was Edyth Embery, born 5 March, 1909, in Frankford, Philadelphia County, Pennsylvania. She was the daughter of Dr. Francis Patrick Embery (1867-1939), a Philadelphia otorhinolaryngologist, and his wife Miriam Fairbairn Wilson (1875-1948), whom he wed in early 1899.  (The 12 February Philadelphia Inquirer described Miriam as wearing “heavy corded white silk, trimmed with chiffon and lace and carried bride roses. The flower girl, maid of honor, and bridesmaids wore white organdie and carried white carnations.”)

Francis Embery, known as Frank, was born at Foxchase, Philadelphia County, to William Henry Embery (1840-1914). Frank’s father was, by 1872, head of the Assay Laboratory of the United States Mint. Previously, he’d served as a sergeant in Co. A, 1st New Jersey Cavalry, during the Civil War. Frank’s mother was Annie Elizabeth Manning (1841-1921), who was of Irish descent.

Continue reading “When the Bow Breaks”

Resaturated with Life: Historical Photos Colorized by Grant Kemp

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Colorization by Grant Kemp of an original daguerreotype of an unidentified woman and infant in the Ann Longmore-Etheridge Collection. The inscription on the reverse reads, “Taken September 12th, 1854. The child was 28 days old.”

Recently, I was honored that Grant Kemp, of restoringyourpast.co.uk and a truly remarkable artist, chose two of my daguerreotypes to colorize. The results were utterly revitalizing, as can be seen from the comparison below.

Grant says of himself, “Trained as a Graphic Designer, I have a Bachelor of Arts Honours Degree in Graphic Design. During my long graphics and print career, I have used design, image software and scanners from every leading supplier including the highest resolution drum scanners. I bring all of my industry experience to the Restoring Your Past service. Graphic design, image scanning, newspaper/magazine production, web, litho, and digital printing experience means I can offer a graphics service that’s based on having dealt with just about every sort of image destined for any type of output.”

Enjoy these samples of his work and if you have old family photographs to restore or colorize, a better digital artist than Kemp is unlikely to be found.

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Taken in 1877 by John Thomson, this image was first seen in ‘Street Life in London.’ The subject was the widow of a tailor. In her arms was an infant for whom she cared whilst the mother was at work in exchange for a cup of tea and a piece of bread.

Continue reading “Resaturated with Life: Historical Photos Colorized by Grant Kemp”

New Year’s Eve: Roaring End, Rowdy Beginning

New Year’s Eve was celebrated on 31 December for the first time in 45 B.C. when the Julian calendar came into effect.

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New Year’s Eve in the 19th Century was as jolly and booze-fueled as it is in the 21st. Here, Baby New Year 1838, the first born of the reign of young Queen Victoria, enters stage right as the black-draped old woman of 1837 departs stage left, taking with her the Georgian Era.
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This New Year’s Eve party had it goin’ on. Conga lines—usually drunken Conga lines—became popular in the 1930s and remained so right through the 1950s. The Conga was originally a Cuban Carnival dance.
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Nothing says Swinging ’60s New Year’s Eve like bullet-bra and hot-pants-wearing  go-go dancers workin’ it in a giant glass of champagne.

Continue reading “New Year’s Eve: Roaring End, Rowdy Beginning”

You’re A Grand Old Flag

Early images of the Stars and Stripes from the Jack and Beverly Wilgus Collection.

By Beverly Wilgus

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The earliest flag image in our collection is this ambrotype of a young Civil War soldier standing before a painted military backdrop of tents and an American flag. By necessity, it dates from the years of the conflict, between 1861 and 1864. He wears an enlisted man’s trousers, a blue-tinted cape coat, and a regulation enlisted man’s dress Hardee hat bearing the insignia “H” and “81” inside a brass infantry bugle. Five states had an 81st Infantry: Indiana, Illinois, Pennsylvania, Ohio, and New York. This fierce and determined Union soldier joined up from one of them. 
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This albumen stereoview card is from the 1871 “Kitty At Play” series by John P. Soule of Boston.

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Photo-Multigraphs: The Mirror and the Camera

“It was the purpose of the author to describe a number of novel and curious effects that can be obtained by the aid of the camera, together with some instructive and interesting photographic experiments.”—F. R. Fraprie, 1922

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A photo-multigraph cabinet card by A. M. Lease of Lancaster, Pennsylvania, circa 1895.

By Beverly Wilgus

In 1893, H. P. Ranger was granted Patent No. 505,127 for a “Mirror For Use In Photography.” This was a device comprised of two adjustable mirrors set at an angle. When a subject was placed in front of it, his or her image was reflected in each mirror and that reflection was again reflected, resulting in five or more figures—the number of figures determined by the angle of the mirrors.

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The above schema is from an article published in Scientific American in the 1890s that was included in the 1896 book Photographic Amusements by Frank R. Fraprie and Walter E. Woodbury. My husband and I own a copy of the 1931 edition that still contains the original illustrations.

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Also from the book is the illustration above: “Diagram Showing The Method Of Production Of Five Views of One Subject By Multiphotography.”

Continue reading “Photo-Multigraphs: The Mirror and the Camera”

On Top of the Moon

A selection of paper-moon real photo postcards from the collection of Jack and Beverly Wilgus. All date from the second decade of the 20th Century.

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A mother and her daughters sit happily on a plain, but elegant, sliver of moon.
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Beverly writes, “I like the smile and relaxed air of this young man who holds the nose of the man in the moon. I wonder why the paint on the nose of the man in the moon is not worn off, since so many of my cards show the sitter holding the nose.”
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A delightfully saucy real photo postcard by the Electric Post Gallery, Fort Worth, Texas.
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A flirty moon tries to chat up a pretty gal.
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A fashionable young lady poses on a friendly moon surrounded by stars and a sky-skimming biplane.

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All of Jack and Beverly’s paper moon images can be seen here

Do you have a vintage image or artifact that might educate and entertain? If so, I would be delighted to hear from you.

 

Postcards: Email by Any Other Name Would Smell as Sweet

“Thank you dear for the nice letter you sent us and all the kisses. Hope you are a good boy. Did you throw Herbert out of bed Sunday morning?”

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Ann Longmore-Etheridge Collection.

Today’s postcards convey “Wish you were here!” almost exclusively, but in the first decades of the 20th Century this method regularly moved information to friends and family who resided even just a few miles away. The short messages often read much like modern email, and when in combination with the photos on the front, can seem like old-school versions of modern Facebook posts.

On 4 March, 1914, this cheerful, beautifully colored postcard of Hagerstown, Maryland’s Broadway (above) was sent to Mrs. C. L. Pennison, Newton, Massachusetts, care of Peckitts on Sugar Hill. The message reads, “Dear Catherine, I was pleased to get your card on Monday while at home. But surprised to hear you are in the White Mountains. I hope you will soon recover your health up there. We were in the midst of a blizzard Monday but are enjoying pleasant weather now. I am well and enjoy my work. Yours, B.”

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Ann Longmore-Collection.

This postcard of the Washington Street Bridge, Monticello, Indiana, was addressed to Miss Ruthie Brown of Modesto, Illinois, and mailed 4 July, 1913. The reverse reads, “Dear Ruth: This is where I am spending the day. This morning our car struck a buggy just as we were going up the hill beyond this bridge. I hope you are having a lovely vacation. Would like to hear from you very much. Grace Mc. 1 Danville, Ind.”

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Courtesy Jack and Beverly Wilgus Collection.

Beverly Wilgus, the owner of this example, writes, “This postcard was mailed by a grandfather to his granddaughter in November, 1912. The caption ‘Tommy’s first and Turkey’s last picture” [has an] unpleasant edge. The image is embossed and gives the figures a slight 3D effect. It was sent to Dorothy Flower in North Uxbridge, Massachusetts, by Grandpa Midley.”

The message reads, “Dear Dorothy: How would you like to have your picture taken this way? I suppose you would rather have some of the turkey to eat. Hope you will have some for your Thanksgiving dinner. Am going to try to get to No. Uxbridge to see you soon.”

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Courtesy James Morley Collection.

Margaret Ripley was a nurse in France during World War I. The above is one of a series of postcards she sent to her sister back in Surrey, England. “Had 2 nice days here unfortunately Louvre & all museums shut but seen as much as possible. Off to Dunkirk tomorrow to typhoid hospital—so glad to feel we may at last get real work in connection with war. Have enjoyed our week’s holiday very much & were hoping to stay on here a few more days. Love to E & children. Hope they are well again. Mar.”

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Ann Longmore-Etheridge Collection.

Although the photographic image is from a decade previous, this postcard’s stamp was cancelled 24 December, 1922. Addressed to Mr. S. Schmall, 4549 Calumet St., Chicago, Illinois, the delightful message reads: “Thank you dear for the nice letter you sent us and all the kisses. Hope you are a good boy. Did you throw Herbert out of bed Sunday morning? Love to you & all. Aunt Alice.”

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Ann Longmore-Etheridge Collection

Postmarked 30 October, 1917, this postcard was sent by the United Brethren Sunday School of Myersville, Maryland, to Helen Keller and family. “U B ready for the U.B. Rally. We need you on Rally Day. Remember the date: Nov. 11th. Do not disappoint us. Help us make this our best Rally Day.” (If there was a smiling emoticon after “Do not disappoint us,” I would feel less creeped out.)

According to Holidays, Festivals, and Celebrations of the World Dictionary, “In liturgical Protestant churches, Rally Day marks the beginning of the church calendar year. It typically occurs at the end of September or the beginning of October. Although not all Protestant churches observe this day, the customs associated with it include giving Bibles to children, promoting children from one Sunday school grade to the next, welcoming new members into the church, and making a formal presentation of church goals for the coming year.”

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Courtesy Jack and Beverly Wilgus Collection.

Beverly Wilgus writes, “This multiple-print, real photo postcard shows two soldiers in a studio prop biplane flying over a real San Antonio streetscape. A banner reading ‘San Antonio 1911’ flies from the wing. Even though the plane is obviously phony, the two airmen appear to be real pilots since the message on the back reads, ‘Our first lesson what do you think of it? Geo.’”

I’m thinking Photoshop, version 1.911. Ω