Like a Rainbow: Resurrecting Mary Avery White Forbes

15406826479_de5f06591b_b
Mary Avery White Forbes, colorized daguerreotype from the Jesse Cress Collection.

This glorious colorization by Sanna Dullaway returns vividly to life Mary White Avery Forbes, a 19th Century denizen of Westborough, Worcester County, Massachusetts. Her birth was recorded on 12 March, 1813, in Roxbury, to William White (1779-1848) and his wife Nancy Avery (17831865). In Mary’s time, Roxbury was already an ancient settlement first colonized by the Massachusetts Bay Colony in 1630; it is now one of the 23 official neighborhoods of Boston.

14837555242_733b2fa7c4_h
The original 1/6th-plate daguerreotype of Mary Forbes, Circa 1848, from the Jesse Cress Collection.

Mary’s future husband, Daniel Hall Forbes, born 5 September, 1808, in Westborough, was the son of Jonathan Forbes (1775-1861) and Esther Chamberlain (1770-1867). According to the 1892 Forbes and Forebush Genealogy: The Descendants of Daniel Forbush, Jonathan Forbes “always resided in the Forbes homestead, West Main Street…. He taught school when a young man. He was a captain as early as 1813, when he was elected deacon of the Evangelical Church, holding the latter office 48 years. He held most of the town offices and was a natural leader in church and town affairs. It is said he was always chairman of every committee in which he served.” The genealogy also notes, “His children, Susannah, Julia, Jonathan, Jr., and Daniel were all baptized Oct. 29, 1808.”

The group baptism was a sign of commitment to Christianity that the Forbes family kept alive for multiple generations. When he died more than four decades later, Daniel, the month-old infant christened that day, would leave hundreds of dollars to missionary societies. His daughter would die in a far away country, serving God’s cause.

Continue reading “Like a Rainbow: Resurrecting Mary Avery White Forbes”

His Good Late Majesty: Memorial Jewelry for King Charles I

In Britain in the 1800s, the widow’s grief of Queen Victoria helped spur the creation of mourning jewelry, but in the 1600s, the impetus was the judicial murder of an anointed king.

Charles-1-Ring-Facade
A mid-17th Century gold mourning ring for King Charles I with an enameled portrait covered by cut crystal. National Gallery of Victoria, Melbourne; gift of Mrs Stubbs, 1923.

Charles Stuart, later King Charles I,  was born in Fife, Scotland, 19 November, 1600, to  King James VI of Scotland, later James I of a unified Britain, and his wife Queen Anne of Denmark. He was a second son, never meant to rule. Yet, Charles had the role of heir foisted on him at the death of his beloved, handsome, and accomplished older brother, Henry, Prince of Wales, who died unexpectedly in 1612.

2016_CSK_14139_0563_000
This circa-1700 mourning pendant, sold by the auction house Christie’s in 2016, contains a painted oval portrait of Charles I against a blue ground within black dot decoration, beneath faceted rock crystal. The reverse features a sepia crown and cypher ‘C. R.’ above the date ‘Jan 30 1648/9’ and an image of a skull and crossed bones upon a plinth, under crystal.

Charles was small, sickly, and had a stammer. He was also intellectual, loved and patronized the arts, favored elaborate high Anglican worship in the age of the Puritans, and married a Roman Catholic—the delicate and beautiful Princess Henrietta Maria of France, known as Queen Mary, after whom the U.S. state of Maryland is named. Charles also believed profoundly in the Divine Right of Kings, was willful and stubborn, and refused to make the compromises that could have prevented a civil war, the destruction of the monarchy, and his own death.

As had the life his similarly-natured paternal grandmother, Mary, Queen of Scots, his own earthly days ended in execution by beheading on 30 January, 1649. His final words were “I go from a corruptible to an uncorruptible crown, where no disturbance can be.”

Charles-1-Ring-Rear
The inscribed band and reverse image of the National Gallery of Victoria ring, showing the initials C. R. (“Charles Rex”) between a skull, with a crown and laurels floating above.
charles-i-memorial-pendant
A Heart-shaped gold and enamel pendant, circa 1650, containing a miniature of Charles I, an interwoven arrangement of his hair, and a part of the blood-stained linen shirt he wore at his execution. Courtesy National Museums of Scotland.

Continue reading “His Good Late Majesty: Memorial Jewelry for King Charles I”