Those I Know Not A selection of vintage images from my collection featuring sitters whose identities, sadly, are unknown. An English matriarch sits resplendent for this tinted 1/6th-plate daguerreotype, circa 1849. It is likely by Beard’s Photographic Institute, London and Liverpool, which was run by Richard Beard (22 December 1801–7 June 1885). Beard enthusiastically protected his business through photographic patents and helped establish professional photography in the United Kingdom. He opened his London and Liverpool studios in 1841. Clouds were frequently painted in as a backdrop by his studio staff. A woman wearing spring fashions uses a finger to mark her place in a book in this 1/6th-plate American daguerreotype, circa 1852. Perhaps she wanted to imply that she had been reading outdoors. I title this American, circa-1858, 1/6th-plate ambrotype “A Man, His Hair, and His Wife.” The husband has a feminine beauty, especially with the delicate tinting of his cheeks. His wife, brooding, intense, and potentially vengeful, may be wearing a large mourning brooch. This early English, 1/4th-plate ambrotype features a Victorian teen who could be a character in a Dickens’ novel. She points to an illustration in a book, but I cannot decipher the title or the meaning of her gesture. The image was taken in about 1852. As photography matured, it became possible to make copies of early, singular photographic images. In the 1890s, this cabinet card was created of a daguerreotype taken in about 1855. Ω All images copyright the Ann Longmore-Etheridge Collection.