“I am presently living with Hans Hemmig and have taken service with a shoemaker for one month. He promised to pay me £10.”
On 5 October, 1722, in Ziefen, Canton of Basil-Land, Switzerland, a healthy male infant was born and christened Peter Recher. Either before his birth or slightly thereafter, his Anabaptist father, Martin Recher IV (1692-1760), was exiled from the canton. This was probably at the declaration of the Anabaptist Bureau, which was, in 1699, created to capture and banish members of the then-heretical group now known as Mennonites. Anabaptists believed that a public confession of sin and faith followed by an adult baptism was required and that infant baptisms were meaningless because babies were incapable of choosing baptism freely. Little Peter may not have seen his father until 1730, when Martin was allowed to return from exile in Oberdiessbach, Canton Bern, after his unorthodox beliefs were either pardoned or abandoned.
Martin Recher, and probably also his wife, Elizabeth Rudy (1690-1748), were lacemakers. The desire for lace, ribbons, trim, and bows was strong, but lacemakers often struggled to profit from the detailed, time-consuming craft. The Rechers had a number of children, so providing for them was probably always challenging. However, the family did have a solid home, built in 1610 by an earlier generation. It was more than 110 years old when Peter was born, and now, almost 300 years later, it is still lived in by modern-day Rechers.
Recently, I was honored that Grant Kemp, of restoringyourpast.co.uk and a truly remarkable artist, chose two of my daguerreotypes to colorize. The results were utterly revitalizing, as can be seen from the comparison below.
Grant says of himself, “Trained as a Graphic Designer, I have a Bachelor of Arts Honours Degree in Graphic Design. During my long graphics and print career, I have used design, image software and scanners from every leading supplier including the highest resolution drum scanners. I bring all of my industry experience to the Restoring Your Past service. Graphic design, image scanning, newspaper/magazine production, web, litho, and digital printing experience means I can offer a graphics service that’s based on having dealt with just about every sort of image destined for any type of output.”
Enjoy these samples of his work and if you have old family photographs to restore or colorize, a better digital artist than Kemp is unlikely to be found.
In 1864, George Blessing, “Hero of Highland,” bravely battled Confederate raiders on his farm near Wolfsville, Frederick County, Maryland, but the real man and his deeds became almost unrecognizable in popular retellings.
John Caleb Leatherman (1852-1952), who was a child during the Civil War and a neighbor of the man who would earn the sobriquet “Hero of Highland,” told a Hagerstown Daily Mail reporter in 1950, ”Boy, that ol’ George Blessing was a spunky one. Those Rebels were trying to get a hold of all the horses they could. When [my] Father heard about it, he took his horses up into Pennsylvania. Not George Blessing—he just stood pat on his own farm there.”
A barnyard shootout at Blessing’s Highland Farm took place on 9 July, 1864, the same day that the Battle of Monocacy was fought only a few miles away on the outskirts of Frederick City. At the end of that month, the Frederick Examiner ran a letter to the editor, suggesting “the raising of a sum, by the contributions of Union men … for the purpose of procuring a medal, with the appropriate device and inscription, to commemorate [Blessing’s] noble feats of that occasion.”
In the years that followed, the grandiosity of the tale and the pious nature of the hero was escalated by his niece, the writer Nellie Blessing Eyster, who published grandiose versions in both a noted ladies magazine and in her 1867 novel Chincapin Charlie. In the latter, she called him “one of Nature’s noblemen,” wrote that he was possessed of a “strange power” from “living so close to Jesus,” and that as he was “thoroughly imbued with the spirit of ’76, loving the government for which his fathers died, next to the God whom he so devoutly worshipped … he defended his home from what he sacredly believed an unrighteous invasion.”
The remarkable gothic revival, self-designed memorial to Victorian teenage paragon Charlotte Canda was a much-visited tourist attraction during the Victorian age.
Charlotte Canda (3 Feb., 1828-3 Feb., 1845) was the daughter of Frenchman Charles Francis A. Canda (1792-1866), of Amiens, Somme, Picardie, and Adele Louisa Theriott (1804-1871), whom he wed 10 May, 1824.
Charlotte’s mother’s ancestors were early French settlers of New York. Adele was the daughter of Gabriel L. Theriott and sister of Augustus B. Theriott (1808 – 1866), who inherited their father’s dry-goods business circa 1823 when he was still a teenager.
It has been put forth that Charlotte’s father was an officer in Napoleon’s army and that he was a veteran of the Battle of Waterloo, after which he sailed for America. However, this is likely untrue. There was a Canda in the Battle of Waterloo, which occurred in June 1815, but that man was Charles’s brother, Louis-Joseph-Florimond Canda, who served many years as an officer in the French army, married Angeline, daughter of the Marquis De Balbi-Piovera from Genoa, immigrated to the United States, was an early settler of Chicago, and died there in 1886. The purported military backstories of both Candas are told almost identically in varying sources, indicating that Charles and Florimond have been conflated.
How the awesome power of highly caffeinated coffee may continue to shape Union soldiers’ Afterlives.
On a chilly, drizzly day in March 2018, my lifelong boon companion Julie and her daughter, my honorary niece, joined me for a day trip to Gettysburg. My niece had never visited the town or battlefield before. In addition to seeing the historical sites, she was keen to undertake some EVP/ITC recording with her “Weird Aunt,” as I’m known to her circle. That day, we combined the driving tour and the ghost hunting, practicing what I call a “drive-by”—rolling the vehicle to a stop, lowering the window, turning on an iPad ghost box app and digital recorder, and inviting anyone present to speak.
(Electronic voice phenomenon, or EVPs, are recorded human voices that appear with no explanation across the spectrum of audiovisual technologies. The messages are often evidential, personal, and thought-provoking. Instrumental Transcommunication, or ITC, uses various forms of electronic devices, such as the so-called ghost box, to generate white noise or randomly generated phonemes from which it is theorized that spirits can shape speech.)
After purchasing an excellent driving tour CD with the marvelous Stephen Lang narrating, we set off, shortly reaching McPherson’s Ridge and the railway cut near the McPherson farmhouse, which saw heavy engagement during the first day of fighting. Before the battle, the area was excavated, but no rail tracks had been laid. This made a perfect spot for entrenchment by both sides as the battle lines shifted throughout the day.
When Hannah McCracken Kelly died in 1855, she left two small children who would retain no memory of her and possess no photographic image other than this postmortem daguerreotype.
Hannah B. McCracken was the daughter of John and Mary McCracken (or Mecracken), who farmed in Claysville, Washington County, Pennsylvania, during the early 19th Century. Named after the “Great Compromiser” U.S. Senator Henry Clay (1777-1852), the town is located on the line of the Cumberland Road which forms its Main Street. Claysville is 18 miles east of Wheeling, West Virginia, and 10 miles west of Washington, Pennsylvania. The town was laid out in 1817 and remained unincorporated until 1832.
John McCracken was born about 1795 in Pennsylvania and died 28 December, 1865, in Claysville. His wife, Mary, the daughter of Samuel Caldwell of Buffalo Township, was born in about 1797 and died 4 August, 1878. The couple married in Washington County on 30 December, 1820. They are buried together in the old Purviance Cemetery, Claysville.
Mr. Grumpy’s seething was replaced with grudging tolerance. He was still watching me, but if I played it cool, he would, too.
This Halloween, I will be the guest speaker of the Myersville-Wolfsville Area Historical Society, presenting on local ghosts and paranormal phenomenon. Whilst this part of Maryland is rich in folkloric creatures such as a flying monster called the Snallygaster, or the Veiled Lady—a sort of banshee who plagued the environs of South Mountain—neither these nor other similar tales are particularly believable or verifiable.
I will stretch as far afield as Antietam and Gettysburg for parts of my lecture, but one paranormal story, at least, will be from Myersville, and it is my own. I share it now knowing it could be as figmental as the ghostly forms that once circled above Frederick’s Rose Hill Manor, or the Christmas Eve Phantom Flutist of Emmitsburg, who purportedly plays, as he did in life, over his dead father’s grave.
The setting for this tale is the cemetery of St. Paul’s Lutheran Church, directly across Main Street from my home.
In a cornfield by the old Pry House in Keedysville, Maryland, the walls between September 1862 and today can sometimes grow thin.
On Tuesday, 16 September, 1862, farmer Phillip Pry, Jr., and his wife Elizabeth, née Cost, found that the Civil War was standing on their doorstep. Since the summer of 1844, the couple had dwelt happily in their imposing home, high on a hill, which Phillip and his brother Samuel had built on their father’s land. The road between Boonsboro and Sharpsburg ran along the foot of the hill, and as Philip and Elizabeth could see from their front porch, it had become an artery for the Confederate war machine. Soldiers in grey, wagons, armaments, ambulances, horses—for a day and night they moved past the Prys’ house in a kaleidoscope of pending misadventure.
The next day, the road was crammed with soldiers in blue trundling along with the Union Army’s horses, vehicles, and ordnance. They were headed to attack the Confederacy at Sharpsburg—a bloodbath now known as the Battle of Antietam. Shortly, the Prys’ home would be commandeered as a headquarters and a field hospital by no less than the flamboyant George Armstrong Custer. From that moment, the Prys’ bucolic life on the hill was over.
In the second half of the 19th Century, at the height of the Victorian Age, the union of photography and the supernatural spawned strange and enthralling results.
By Beverly Wilgus and Ann Longmore-Etheridge
Early in the practice of the photography, ghostlike images appeared on daguerreotypes, ambrotypes, and tintypes. The explanation for them was not supernatural: Because of the need for long exposures, in some cases of more than a minute, anything that moved whilst the camera lens was open went either unrecorded or appeared transparent in the final product. In 1856, Sir David Brewster (1781-1868), an important figure in photography’s evolution, described in his book The Stereoscope: Its History, Theory, and Construction the method by which amusing extras could be created in photographs. Brewster advised that sitters should be posed and after the majority of the plate exposure was finished, a new person should move into the scene and stay for the final seconds. This would result in a “spirit” presence.
Whilst Brewster clearly promoted this method for what it was—a trick—others with an interest in the expanding religion of Spiritualism saw ghost images as proof of life after death. It should be noted that the Victorians were not the only folk taken in by the callow exploitation of technology they did not fully understand.